If we decode the image for nerds, we get a not-so-complicated expresso and 2 cloners, raw light from the dome light, and standard material. I planned to refine all this further in After Effects and outputted 12 passes, but the essence is different, only 2 came out... and because of this, we have the following: color correction
- compressed levels, depth of field (or as it's sometimes translated) devil's field g - frischluft. By the way, how do you do it? I invert the z pass into normal and set the calculation from the center, although this gives me less freedom in correction. Sometimes fog - again, depth + Deep Glow and solid in some mask, correction goes with levels, either of depth or solid, but already for color.
- compressed levels, depth of field (or as it's sometimes translated) devil's field g - frischluft. By the way, how do you do it? I invert the z pass into normal and set the calculation from the center, although this gives me less freedom in correction. Sometimes fog - again, depth + Deep Glow and solid in some mask, correction goes with levels, either of depth or solid, but already for color.
